Music Department
Research is an integral part of music study at Truman. Whether preparing for a senior capstone project, a senior recital, or a presentation at the annual on the ݮƵ campus, you have many opportunities to work one-on-one with your professors. The music faculty is dedicated to helping you gain a deeper understanding of music through original research.
Afrofuturism: How the Future Can Impact Now Michael T. Rucker, Jr. Jocelyn Stevens Prendergast, Faculty Mentor
Angst: A Modern Musical Joshua A. Baum, Michelle Foard, and Jason Qualls Dr. Warren Gooch and Dr. Jacqueline Collett, Faculty Mentors
Ծ’Tre Ariette: More Than a Few Pretty Songs Diana L. Upton-Hill Dr. Warren Gooch and Dr. Jacqueline Collett, Faculty Mentors
The Classical Collaborations of Benny Goodman Dana J. Mottet Dr. Jesse Krebs, Faculty Mentor
Compositional Techniques in Carter’s “Eight Pieces for Four Timpani” Megan E. Arns Dr. Michael R. Bump, Faculty Mentor
Developing the Ensemble and the Student Within the Instrumental Music Classroom Through Authentic Assessment Theron S. Perkowski Dr. Jay C. Bulen, Faculty Mentor
The Electronic Music Working Group Dr. Charles Gran, Director
“The Four Seasons of the Year”—A song cycle on texts of Anne Bradstreet Kevin P. Becker Dr. Warren Gooch, Faculty Mentor
Gardens: A Musical-Poetic Collaboration Carol A. Perry and Stephanie K. Goodwin Dr. Warren Gooch and Dr. Tom Hueber, Faculty Mentors
Gaspar Cassadó and His Toccata for Cello and Piano Bich N. Kuhns Dr. Miranora O. Frisch, Faculty Mentor
The Golden Ratio and Motivic Development in Xenakis’ Rebonds B Doris A. Doyon Dr. Michael R. Bump, Faculty Mentor
The History of Clarinetists and Competition Pieces of the Solo de Concours Shino Saito Dr. Jesse Krebs, Faculty Mentor
La Douleur de l’Amour: Research Into the Expression of French Poetry Through Musical Composition Melanie D. Dunn Dr. Warren Gooch and Dr. Gregg Siewert, Faculty Mentors
The Life of Richard Mühlfeld and His Impact on Johannes Brahms Angela M. Welker Dr. Jesse Krebs, Faculty Mentor
Musical Choices in “The Alcotts” from Second Piano Sonata: “Concord, Mass. 1840-1860″ by Charles Ives Michelle L. Jones Dr. Janice Saffir, Faculty Mentor
One Effect of Reality: An Interdisciplinary Approach to Understanding Claude Debussy’s Musical Idiom Cheryl C. Wong Dr. David McKamie, Faculty Mentor
Pre-Feminist Thought in Hildegard von Bingen’s Ordo Virtutum Jennifer L. Thomas Dr. Marc Rice, Faculty Mentor
Rahab: An Opera Deborah J. Pounds Dr. Warren Gooch, Faculty Mentor
“The Songs of Laurie”: Music From The Tender Land Explained, Analyzed, and Orchestrated for Solo Tuba With Woodwind Quintet Accompaniment Allen V. Carter Dr. Jay C. Bulen, Faculty Mentor